Creative and design

Hair, wigs, make-up and prosthetics technician

Uphold a high standard of hygiene and technical application for productions/performances across a range of artists, periods and cultures.

Summary

This occupation is found in a broad range of creative and dynamic industries for example theatre, TV, film, fashion, commercials and print media (editorial). The broad purpose of the occupation is to uphold the highest standards of hygiene and technical application to achieve the required look meeting agreed standards for productions/performances across a range of artists, periods and cultures whilst maintaining health & safety requirements. This may involve the safe application and styling of wigs, hair, make-up and prosthetic special effects to performers. Make–up and hair are key elements in the overall design of live performance, films or television productions, creating a look for the characters in relation to social class, time periods, and any other elements required to create the desired effect or illusion.

This will involve using a variety of techniques such as:

  • hair work including; cutting, colouring, setting, dressing and preparing hair for wig wearing.
  • wig, facial hair and postiche work including: fitting, head wraps, head block preparation, making foundation, whipping, knotting, weaving, sewing postiche together with cutting, colouring, perming, setting and dressing of wigs, postiche and hair pieces.
  • make-up work including: researching and applying media make-up, character make-up and special effects using a variety of techniques.

prosthetics work including; material research, life casting, mould making, the use of foam latexes and silicones, surface rendering and application to make and apply bald caps, body parts, wounds and blemishes. This will also include the application of stage bloods for injuries.

Hair, Wigs, Make-up and Prosthetics Technicians work with Designers and Directors to discuss the look required for each role for example, artists/performers may need to appear from a different age group or historical period; the hair, make-up and wigs may be contemporary and straightforward or require more creative approaches. They prepare and use design notes, reference sheets and photographs that will ensure the artist/performer will have the same hair or make-up every time. They support preparatory stages, rehearsals and actual performances/production and work closely with artists/performers to get them ready and undertake quick changes throughout the performance/production. For prosthetics, which are part of the physical special effects area, they will need to use reliable sources to research prosthetic effects that are authentic and appropriate, create prosthetics in line with production requirements, script/breakdown and budget, liaise and work in collaboration with relevant people to ensure that all prosthetic effects are safe at all times, monitor people using prosthetics at all times so as to ensure there are no allergic reactions, excessive changes in body temperature or effects on their ability to function with ease, and remove prosthetics in line with safety requirements.

They work within budget and time constraints to achieve project requirements.. In their daily work, an employee in this occupation interacts with other members of their team and their supervisors to meet the project objectives. They meet with designers to interpret the design requirements. They develop a good working relationship with performers/artists/clients. They work with other departments e.g. art, production, technical, costume to achieve the performance/production requirements. They may work alongside photographers, film crew and other people involved in the event.. An employee in this occupation will be responsible for working within health, safety and environmental policies, procedures and regulations to meet design specification for wigs, hair and make-up including prosthetics for special effects. They are required to choose and use the appropriate application techniques and approach to achieve the required outcomes by transforming artists/performers into the required look from their natural state.

They engage with artists/performers in a professional manner, demonstrating sensitivity in dealing with them when in their care and keep any personal information confidential and observing the set etiquette required.

Hair, Wigs, Make-up and Prosthetics Technicians work with other team members to achieve the objectives of the project, including timescales and managing resources in their control which may include their tools and equipment, budget and stock. They are trusted to work unsupervised under the brief of their supervisor. They will be required to work during evenings and weekends during performance/production periods..

Typical job titles include

Knowledge, skills and behaviours (KSBs)

K1:

History of hairstyles and make-up. The typical characteristics of period styles through the centuries to allow further detailed research to be undertaken.

K2:

Research methods to ensure that make-up, hair, wigs, facial and prosthetics meet Supervisor/Designer /Director requirements for example, historical period

K3:

Understand the overall look required for each role for example different age groups using drawings, photographs or models to identify the Supervisor/Designer/Director design requirements

K4:

The design process including the development of a detailed plan which must contain details of the performer, their role, design references including costumes, how many looks, if using own hair, a wig or hair pieces, switches and weft pieces, own facial or is facial required, any known allergies or sensitivities, colour palette for hair/wig and make up; sfx prosthetics required; timescales for making, fittings and application

K5:

The range of tools and materials required for hair, wigs, make-up and prosthetics activities including those for wig, hair piece, facial making; hair, wig, hair piece, switches and weft pieces, facial cutting, styling and application; make-up application; sfx making and application

K6:

Health and Safety Legislation, Regulations, policies and procedures including hygiene standards, data protection, COSHH, Manual Handling and producing Risk Assessments.

K7:

Environmental Legislation including storage and disposal of chemicals, disposal of rubbish; recycling, as it applies to the role.

K8:

Impact on and requirements of other departments to complete hair, wigs, make-up and prosthetics activities

K9:

How to prepare and store detailed design notes, reference sheets and photographs for individual performers to ensure consistency and continuity throughout the performance/production

K10:

The requirements of the preparatory stages, rehearsals and actual performance/production

K11:

How to assess individual performer’s make-up requirements in accordance with the plan and identify workspace, environment, allergies/sensitivities, skin type, colour, skincare and timings

K12:

The range of make-up assessment techniques to ensure the required look

K13:

A variety of make-up application techniques for body and face for example brushes, sponges, stippling, painting, airbrushing, stencils, embellishment

K14:

Equipment set up, maintenance, cleaning and storage

K15:

Colour assessment techniques including colour mixing; colour washes; highlights and shades

K16:

Airbrushing techniques including spray techniques (lines, areas, shades, highlighting and shading; concealing; even colour washing); using stencils, templates, masking; temporary tattoos, body painting, tanning

K17:

Monitor and touch-up make-up processes to ensure continuity for the duration of the performance/production

K18:

Typical make-up allergic reactions and action required

K19:

Make-up removal process including hygiene and material disposal requirements

K20:

Hair preparation techniques for wig, hair piece, switch, weft or facial making including assessing/selecting according to texture, type, length, colour/shade, pre-blend/mix as drawn as required, colouring or root shading as required

K21:

Pressure boiling and perming for pre-curling

K22:

Storage requirements for hair/wig/hair piece/switch/weft/facial hair including tying hair bundles, washing wigs and hair pieces

K23:

Fitting techniques for head wraps and measurements, face wraps, preparation of the head/face block and foundation making using whipping or sewing techniques

K24:

Prepare for and knot facial hair, wigs and hair pieces using a variety of knotting techniques and knotting direction template/instructions to meet design requirements

K25:

Weft making, using weaving technique, to required density and colour, to stitch into wigs or incorporate into artists own hair

K26:

Switch making from weft pieces, using a twisting machine, to incorporate into a wig or artists own hair

K27:

A range of typical techniques covering, periods, cultures and genres to cut, colour, set and dress and style hair, set and dress-out wigs or hair pieces and cut and dress-out facial hair to meet design requirements

K28:

Processes for life casting, mould making, use of foam latexes and silicones and surface rendering

K29:

Prosthetics creation including bald caps, body parts, wounds and blemishes

K30:

Prosthetics application process including fitting and comfort, blending edges and colouring

K31:

Typical prosthetics allergic reactions and the actions to take if they occur

K32:

Prosthetics removal process including health and safety impact

K33:

A range of modelling products to create injuries

K34:

A range of stage bloods products for different effects

K35:

Injury fitting techniques

K36:

Stage blood application process

K37:

The range of resources required to support hair, wigs, make-up and prosthetics activities for example stock, budget, tools and equipment

K38:

The production schedules and their impact on personal workload

Technical Educational Products

ST0918
ST0918: Hair, wigs, make-up and prosthetics technician (Level 3) Approved for delivery
Reference:
OCC0918
Status:
Approved occupation imageApproved occupation
Average (median) salary:
£38,574 per year
SOC 2020 code:
3429 Design occupations n.e.c.
  • SOC 2020 sub unit groups:
    • 3429/03 Performance make-up artists
    • 6221/02 Hairdressers
S1:

Use research to establish exact make-up, hair, wigs, facial and prosthetics requirements of the Supervisor/ Designer/Director to meet requirements

S2:

Produce a detailed plan for the make-up/hair/wigs/facial/prosthetics to meet the Supervisor/Designer/Director requirements to include:Tools and materials, Health and Safety Legislation, Regulations, policies and procedures including Risk Assessments, hygiene standards, data protection, Environmental Legislation impact, Impact on and requirements of other departments, design notes, reference sheets and photographs to ensure consistency and continuity, the requirements of the preparatory stages, rehearsals and actual performance/production, timescales

S3:

Choose and apply make-up to meet the design requirements

S4:

Undertake colour assessment in order to apply body and facial make-up

S5:

Prepare and maintain equipment including cleaning and storage after use

S6:

Monitor and touch-up make-up to ensure continuity for the duration of the performance/production

S7:

Explain what to do if an allergic reaction to make-up occurs

S8:

Remove make-up in accordance with hygiene requirements, dispose of materials in accordance with process requirements

S9:

Store make-up removal products, tools and equipment in accordance with process requirements

S10:

Prepare hair for wig, hair piece, switch, weft, facial making including assessing/selecting according to texture, type, length, colour/shade, pre-blend/mix as drawn, colouring or root shading as required

S11:

Pre-curl hair as required

S12:

Store hair, wigs, hair pieces, switches, weft, facial hair in accordance with requirements

S13:

Take head wraps including measurements, face wraps, creating head/face blocks and making foundations to meet design requirements

S14:

Knot facial hair, wigs and hair pieces using a knotting direction template/instructions to meet design requirements

S15:

Make weft pieces and switches to meet design requirements

S16:

Make alterations and repairs to wigs

S17:

Cut, colour, set, dress-out and style hair: set and dress-out wigs or hair pieces and cut and dress-out facial hair to meet design requirements

S18:

Create prosthetics including bald caps, body parts, wounds and blemishes

S19:

Apply prosthetics ensuring fit and comfort, blending edges and colouring

S20:

Explain what to do if an allergic reaction to prosthetics occurs

S21:

Remove prosthetics in accordance with health and safety requirements

S22:

Create and fit injuries to meet design requirements

S23:

Apply stage bloods to meet design requirements

S24:

Monitor spend/use of resources and highlight under/overspend/use in accordance with agreed process

S25:

Develop a personal work plan to identify potential periods of peak workloads

Technical Educational Products

ST0918 image
ST0918: Hair, wigs, make-up and prosthetics technician (Level 3) Approved for delivery
Reference:
OCC0918
Status:
Approved occupation imageApproved occupation
Average (median) salary:
£38,574 per year
SOC 2020 code:
3429 Design occupations n.e.c.
  • SOC 2020 sub unit groups:
    • 3429/03 Performance make-up artists
    • 6221/02 Hairdressers
B1:

Is respectful of others views and beliefs – equality, diversity and inclusion

B2:

Works effectively with others

B3:

Continuously develops their knowledge and skills

B4:

Pays attention to achieve the detail required

B5:

Balances many differing elements of work

B6:

Takes ownership of work

B7:

Plans work and manages time

Technical Educational Products

ST0918 image
ST0918: Hair, wigs, make-up and prosthetics technician (Level 3) Approved for delivery
Reference:
OCC0918
Status:
Approved occupation imageApproved occupation
Average (median) salary:
£38,574 per year
SOC 2020 code:
3429 Design occupations n.e.c.
  • SOC 2020 sub unit groups:
    • 3429/03 Performance make-up artists
    • 6221/02 Hairdressers